Akashavani Movie story
Khais Millen’s introduction executive is about Akash (Vijay Babu), the overseeing overseer of a firm, and Vani (Kavya Madhavan), a media proficient, whose requesting occupations fail to impress anyone in their married life.
Story: Akashvani is a basic film that experiences a worn out plot; to such an extent that the endeavor gets everyday before the finish of the film.
Audit: The subject of self image conflicts and misconceptions that outcome from metropolitan couples focusing on their expert lives has been beaten to mash. So Akashvani required a novel component to connect with the crowd and, truly, it doesn’t convey regarding introduction or story.
Khais Millen’s introduction executive is about Akash (Vijay Babu), the overseeing overseer of a firm, and Vani (Kavya Madhavan), a media proficient, whose requesting occupations come up short in their married life. The consistent personality conflicts, false impressions and absence of correspondence develop to a limit. This opens the entryway for a couple of gatecrashers who take steps to crash their day to day life, which is now self-destructing. Regardless of whether the couple figures out how to rescue their relationship in the midst of the emergency takes the story forward.
Akashvani is a straightforward film that experiences a trite plot; to such an extent that the endeavor gets everyday before the finish of the film. The composing is dull to the point that the entertainers have nothing to do and Vijay Babu and Kavya Madhavan put on a show of being senseless during specific scenes. For example, when Vani attempts to allure her better half with her dance posture or concocting a group of unniyappams while the last is tied up in a restroom. Where the film eventually slips is that its lead characters don’t strike any science whatsoever.
Entertainers Saiju Kurup and Sreejith Ravi put on the best act in the film that is sprinkled by rather exhausting appearances from a couple of well known countenances. The music also doesn’t add a lot. Akashvani’s slogan ‘a story seen by a mosquito’ is just a reconsideration that becomes mixed up in a few idiosyncrasies that the chief attempts to get to support the dismal account. The scenes in the subsequent a large portion of, that show the side of the thugs, might have handily been managed as it doesn’t leave any effect on the story.While Akashvani shows that powerful correspondence can inhale new life into most bombing relationships, it has the same old thing to bring to the table and is a flick that you wouldn’t see any problems with giving a miss.